The most important part of the chain : Amp vs Pre vs Cables vs Loudspeakers !

•January 29, 2011 • 1 Comment

You do want to upgrade your audio system, but you don’t know where to start from. Will it be the cables or the preamp ?  Which is the component which is really going to give your system a spectacular boost ?

1) Nowadays preamps do not differ much, if at all ; sometimes a passive “preamp”  is the best choice if you don’t intend to buy a turntable. Passive preamplifiers may sound (sometimes) harsh or “dry” because they form a high-pass filter in combination with the system.

2) Multistrand cables (with silver-plated copper strands) less than 2,5 meters long (gauge 14 or 12) or equivalent flatwire, with the simplest possible structure of non PVC insulation, will do perfectly well. You may already own them, so leave them in peace.

3) Amplifiers are very important and they do make a difference concerning speed, bass power, dynamic headroom, upper mid band, THD (total harmonic distortion), TIM (intermodulation distortion) and soundstage. But before you make a new buy, try power conditioning or cascaded earthing or both ; the result is audible. Even a block of granite under your lightweight amp will give you a pleasant surprise. Although some top amplifiers may give you a pleasant (or unpleasant) surprise, amps are not the issue here : sometimes good amplifiers don’t combine well with loudspeakers.

4) Loudspeakers. It is possible that comparison of some amps’ circuitry design or component quality by audition will not give you any audible clue. This is never true about loudspeakers. Loudspeakers are -by far- the main responsibles for your system’s sound : they create it. They receive electric signals, they split them and they transform their energy in to acoustic (pressure waves) energy.  They should match electrically your amplifier and they should behave linearly or at least predictably ; unfortunately, they do not.  Loudspeakers are highly non-linear (even chaotic) systems for signals powerful enough. Transducers’ type, construction and quality, electroacoustic  design and combination of materials in a loudspeaker, will make a huge difference. In fact, you will never find a loudspeaker  sounding the same as any other  model of the same or other brand !

CONCLUSION : The main responsible for your high-end system’s sound on a scale from 1 to 100 is :

loudspeakers 50%  –> amplifiers 20% –> sources 15% –> power conditioners / massive bases 10% –> preamplifiers 3% –> cables 2%.

Of course this is a subjective scaling !  Some people would pay a fortune for a tiny extra 1% that upgrades their system to a champion… One more thing : 1% is audible !!

Bi-wiring

•November 6, 2010 • Leave a Comment
Loudspeaker bi-wired using banana plugs

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High end audio speaker cables can be very expensive. Byers feel that bi-wiring will improve the performance of their equipment. Is this true ? Is this extravaganza justified ?  A simple but effective engineering model for calculating your cables’ performance is the lossy transmission line model (see http://www.ece.uci.edu/docs/hspice/hspice_2001_2-269.html).

Schematic for an elemental length of transmiss...

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Simple wires present resistance & inductance in series, as well as capacitance to “earth”. All those quantities are  proportional to the wires’ length. Pairs of wires interact, so they present mutual capacitance C, combined inductance L, resistance R and dielectric/insulation impedance G (mainly resistive) between them. Continue reading ‘Bi-wiring’

Bi-amping, Tri-amping, Poly-amping

•October 29, 2010 • Leave a Comment
Diagram of a Passive Crossover for a Loudspeaker

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To bi-amp or not to bi-amp ? This is the question you must ask the vendor of your Loudspeakers twice, because if he says “YES” the next question you are going to ask is : “What is the order of the crossover for each way (tweeter /mid /bass sections) ?” If the answer is not “1RST ORDER for every way” then you are sure that this Loudspeaker is designed either for poly-amping only or  for operating with the binding posts paralleled only despite the beautiful set of  multiple pairs of terminals at the loudspeakers’ back ; a complex X-over cannot do both jobs equally well. Continue reading ‘Bi-amping, Tri-amping, Poly-amping’

High End Audio Electronic Equipment Design Principles

•October 25, 2010 • Leave a Comment
Photo of a triode at the Berlin Communications...

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Design principles of high end audio equipment have evolved over the years. Concerning stages and circuit components the principle is : the lesser, the better. Concerning global feedback the principle is : zero negative global feedback is the best. Other design principles are : Class A triode operation is the pinnacle of the high end audio amplifier operation modes. Push pull topology is technically (in theory) better than any single ended configuration provided that matching of currents is regulated and transformers are perfectly made. Single ended triode amps mask effectively within certain limits huge harmonic distortions. Continue reading ‘High End Audio Electronic Equipment Design Principles’

 
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